{"id":63,"date":"2017-02-23T01:28:39","date_gmt":"2017-02-23T01:28:39","guid":{"rendered":"\/?page_id=63"},"modified":"2024-03-27T00:38:04","modified_gmt":"2024-03-27T00:38:04","slug":"dedication","status":"publish","type":"page","link":"\/dedication\/","title":{"rendered":"Dedication"},"content":{"rendered":"
All information found on this website is respectfully dedicated to the life and memory of Shinan Dr. Masayoshi Kori Kudaka (Hisataka) without whose dedication to the martial arts and the improvement of the person we would not be here.<\/span><\/p>\n <\/a>Shinan<\/em> Kori Hisataka (Kudaka in Okinawa) was born on 22 April 1907 in Shuri, Okinawa. Although now a part of the Naha Metropolitan area, Shuri was the original capital of Okinawa, location of the Shuri Castle and home to most of the Ryukyu (Okinawan) aristocracy. His name at birth was Seiki Kudaka (pronounced Masayoshi Hisataka in Japanese), and he was a third generation descendant of Feudal Lord Seison Toguchi, descendant of SEIWA the fifty sixth Emperor of Japan and a member of the Ryukyu (Okinawan) nobility who was made lord of Kudaka Island in recognition for his services to the then Kingdom of Ryukyu. As was the tradition, Toguchi then adopted the name Kudaka as his own. The first name Kori was taken by Shinan<\/em> Kudaka (Hisataka) later in life\u2013a custom among some senior martial arts practitioners.<\/p>\n Shinan <\/em>Kori Kudaka (Hisataka, b. 1907 – d. 1988) was the founder of Shorinjiryu Kenkokan Karatedo (\u5c11\u6797\u5bfa\u6d41\u62f3\u884c\u9928\u5510\u624b\u9053), a style he based on his studies of various Ryukyu (Okinawan), Japanese and Chinese forms of martial arts. Shinan <\/em>Kudaka was introduced to Karatedo and other forms of Ryukyu (Okinawan) martial arts from an early age. His first instructors were his father, grandfather and uncle who introduced him to the family form of Okinawa-Te known as Kudaka-ryu (\u4e45\u9ad8\u6d41), along with the familial form of Ryukyu Kobu-Jutsu (\u7409\u7403\u53e4\u6b66\u8853) called Shishiryu no BO (\u7345\u5b50\u6d41\u306e\u68d2).<\/p>\n <\/a>Recent research suggests that Shinan<\/em> Kudaka (Hisataka) may have attended the Naha Municipal Commercial School (Marine College). At the time that Shinan<\/em> Kudaka was a student there, Karate was in the process of being introduced to the Okinawan school system, principally through the efforts of Master Anko Itosu (Shorinjiryu). The karate teacher at the Naha Commercial School was Master Kanryo Higaonna (Shoreijiryu) who was assisted by Master Chojun Miyagi. Master Miyagi took over as principal karate teacher at this school following Higaonna\u2019s death. This is where Shinan<\/em> Kudaka is most likely to have met Masters Higaonna and Miyagi, and is the probable original source of the Kata Sanchin as it relates to Shorinjiryu.<\/p>\n As a teenager, Shinan<\/em> Kudaka spent some time in the southern Japanese island of Kyushu, and is said to have learnt the art of jujutsu while there. While little verifiable information is available about this time frame, one look at a Shorinjiryu practitioner in action will confirm the influence of grappling on our style. This may also have been gained from the native Ryukyu (Okinawan) form of grappling known as tegumi (also called Ryukyu “Okinawa”<\/em> Sumo) and Shinan<\/em> Kudaka was a YOKOZUNA or Grand Champion in Ryukyu SUMO wrestling, a sport at which Shinan<\/em> Kudaka was said to have excelled. Research by such historians as Shihan Patrick McCarthy suggests that tegumi was in fact one of the original arts that comprised karate along with Tigua, the art of percussive impact, and Tuidi, the art of nerve striking. Most modern Japanese styles focus only on the percussive impact component, but the grappling is still obvious in styles like Shorinjiryu Kenkokan Karate-do.<\/p>\n Another early teacher of Shinan<\/em> Kori Kudaka (Hisataka) was the reclusive weapons master, and former Okinawan police commissioner, Sanda \u201cUfuchiku\u201d Kanagusuku (1841-1921). As Shinan<\/em> Kori Kudaka\u2019s father had died whilst he was young, Ufuchiku Kanagusuku was petitioned by the Kudaka family to teach weapons, in particular: sai, bo and jo, to the young prodigy.<\/p>\n <\/a>Perhaps the main teacher of Shinan<\/em> Kudaka was Master Chotoku Kyan (1870-1945), a student of Anko Azato, Sokon Matsumura, Kokan Oyadomari and Kosaku Matsumora. Master Kyan is credited with founding a style he called Sukunaihayashi (pronounced Shorinjiryu in Japanese), and for introducing such innovations as the vertical fist, the extended use of the hips in punching and kicking, and angular movement for evasion and defense. It is through the Master Kyan lineage that several of our current Kata have evolved, particularly Bassai, Seisan, Chinto and Kusanku. It is also thought that the form of Nijushiho practiced in Shorinjiryu was passed from Grand Master Azato to Master Kyan and then onto Shinan<\/em> Kudaka having been modified by Grand Master Azato to include principles of defense against bladed weapons. This is something Grand Master Azato derived from his own studies of Jigenryu Kenjutsu, and his successful unarmed encounter against a Japanese samurai.<\/p>\n In the late 1920\u2019s, Shinan<\/em> Kori Kudaka (Hisataka) completed his compulsory military service, and then left to return to Okinawa. In 1929-30, he travelled to Taiwan along with his teacher, Master Chotoku Kyan and Master Ryosei Kuwae. There the three Okinawan karateka toured, demonstrated and learned from local practitioners. In one famous incident, the three gave a demonstration at the Taipei Botokuden (hall of martial virtues), where Master Kyan fought a challenge against a senior judoka named Shihan Shinzo Ishida who was a one of the strongest Judoka in Japan at that time.<\/p>\n <\/a>At the same event, Shinan Kudaka fought a challenge match against a female Naginata master. The naginata (halberd) is an ancient samurai weapon, but in recent times has become the preferred weapon of women martial artists. This particular Naginata expert was so skilled that she had previously defeated the famous Kendo master, Junzo Sasamori (literally the co-author of the best book on Kendo). Shinan<\/em> Kudaka fought the challenge, and won, utilizing a BO or wooden staff. Following their tour together, Master Kyan returned to Okinawa, and it was following his return from this trip that he introduced the Kata Ananku. Master Kuwae, the last student of the great \u201cBushi\u201d Sokon Matsumura is believed to have stayed in Taiwan.<\/p>\n Shinan<\/em> Kudaka traveled on to mainland China, and as far afield as Burma, Thailand, Afghanistan, Russia and Mongolia, in each location furthering his studies and skills as a martial artist. Shorinjiryu Kenkokan Karatedo is a rather eclectic combination of techniques, and one can only imagine where some ideas originated from during Shinan<\/em> Kudaka\u2019s travels. Of obvious influence were some of the northern Chinese styles, particularly Baji Quan (Hakkyoku Ken in Japanese) and Shaolin Long Fist. In 1932, Shinan<\/em> Kudaka demonstrated at a martial arts festival celebrating the confederation of the Manchurian state. At the time, he demonstrated the Kudaka family version of the KATA Kudaka no Kusanku to the accompaniment of a Song of National anthem “Kimigayo”. This KATA is also sometimes known as Happo-ate, meaning eight directional striking.<\/p>\n Before World War II Shihan<\/em> Kudaka was invited by the Chinese Martial Arts organizations from China and had given special Karate demonstrations, in the presence of the “Last Emperor FUGI” at the official Opening Ceremony for the newly establish \u201ccountry MANCHURIA”. Thereafter, where he had spent his years in order to further develop BOJUTSI and JUJUTSU.<\/p>\n At some point in the 1930\u2019s, Shinan<\/em> Kudaka returned to Okinawa and Japan. During this time Shinan<\/em> Kudaka spent a year in Tokyo, training at the home of Judo, the Kodokan, under the great master Sanpo Toku (known as \u201cthe devil of the Kodokan\u201d). In only one year, Shinan<\/em> Kudaka attained the rank of Yondan, or 4th Dan. Also during the 1930\u2019s, Shinan<\/em> Kudaka toured Japan with his teacher, Master Chotoku Kyan. It is said that he fought many challenges, never losing. In one story, reported in Scientific Karatedo, Shinan<\/em> Kudaka broke a wooden block that even a powerful swordsman could not break. The swordsman challenged Shinan<\/em> Kudaka to a duel, and Shinan<\/em> Kudaka defeated him, weaponless.<\/p>\n <\/a>In the late 1930\u2019s, following the outbreak of hostilities between Japan and China, Shinan<\/em> Kudaka was stationed in Manchuria, then occupied by the Japanese, as a Station Master in the Railway system. Over the following years, he was located in several cities, including Bakudashi, Sarachi and others. In one location, the deputy governor at the time was the great martial artist, Master Minoru Mochizuki (1907-2004) who together with Jigoro Kano, the Founder of Judo, had made the first public demonstration of Judo and also the first public demonstration of Aikido in Europe.<\/p>\n Master Mochizuki was a highly ranked practitioner of Judo and Aikido, having studied under the founders of each system, Founder Jigoro Kano (Judo) and Founder Morihei Ueshiba (Aikido). As a matter of interest, Master Mochizuki\u2019s first Judo teacher was Great Master Sanpo Toku. Master Mochizuki and Kaiso Kudaka trained regularly at a local Budokan, and to this day the karate taught in Yoseikan Budo (Master Mochizuki\u2019s composite system comprised of techniques from Judo, Aikido, Karate and other arts) is based on a form taught by Shinan<\/em> Kudaka being Kudaka-Ryu, also known as Happoken.<\/p>\n According to Shinan<\/em> Kudaka\u2019s son, Hanshi Masayuki Kukan Hisataka<\/a>, another influence on Shinan<\/em> Kudaka was an elderly Chinese master that he had employed at one of the railway stations he was overseeing. This master taught Shinan<\/em> Kudaka a Chinese style known as Baji Quan (pronounced Hakkyoku-ken in Japanese). Baji is known as being a violent and explosive martial art, and is characterized by techniques such as foot stamping (fumikomi ashi) and weight dropping (otoshi mi). These 2 methods of power generation are quite representative of Shorinjiryu Karate.<\/p>\nKaiso Masayoshi Hisataka<\/h2>\n